Can you introduce yourself?
My name is Bérénice Milon and I’m a visual artist.
My work explores the points of contact between image, product and space, through a personal graphic grammar made up of archetypal forms, everyday gestures and poetic languages. I compose as one assembles an interior landscape: seeking to balance fragility and strength, intimacy and collectivity.
My practice is multi-faceted, ranging from painting to frescoes, from writing to products, from scenography to commissioned projects. What drives me is the ability of forms to create links, to give rise to sensitive, shared, habitable spaces.
How would you describe your creative world?
My world is very organic, gentle and poetic. It’s based on forms that evoke nature, cycles and the subtle rhythms of life. I work with curves, textures and fragments that come together like pieces of an interior landscape, somewhere between abstraction and narration.
I like to take the time to let gestures and materials reveal their meaning, with particular attention paid to the softness, fragility and strength contained in each form. My work seeks to create sensitive spaces, breathing spaces where art dialogues with everyday life, where the intimate meets the collective, and where the visible gives way to what is felt.
How did this collaboration inspire you?
I designed a still life in the image of my ideal interior, with an Arco lamp, a beautiful glass roof, a few plants, beautiful books, a comfortable armchair for drinking tea and a Brancusi totem pole, because it’s okay to dream. The Tiptoe coffee table takes center stage, becoming the cornerstone of this model living room.
Can you tell us about a place where you feel good?
My home. It’s an intimate space, full of products and grigris that fill me up, where every detail tells a story.
I’m often out and about on business, so I savor every moment spent on my sofa all the more. It’s there that I can really refocus, slow down, and move on again.
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