Tiptoe by sc Berenice Millon
Can you introduce yourself?
My name is Bérénice Milon and I’m a visual artist.
My work explores the points of contact between image, object, and space, through a personal graphic grammar made up of archetypal forms, everyday gestures, and poetic languages. I compose as one might assemble an inner landscape: seeking to balance fragility and strength, the intimate and the collective.
My practice is multifaceted: it ranges from painting to murals, from writing to objects, from scenography to commissioned projects. What drives me is the ability of forms to create connections, to give rise to sensitive, shared, livable spaces.
How would you describe your creative world?
My world is very organic, soft, and poetic. It draws on forms that evoke nature, cycles, and the subtle rhythms of living things. I work from curves, textures, and fragments that come together like pieces of an inner landscape, between abstraction and narration.
I like taking the time to let gestures and materials reveal their meaning, with particular attention to the softness, fragility, and strength held within each form. My work seeks to create sensitive spaces, moments of breath where art engages in dialogue with everyday life, where the intimate meets the collective, and where the visible gives way to what is felt.
How did this collaboration inspire you?
I drew a still life inspired by my ideal interior: an Arco lamp, a beautiful glass partition, a few plants, beautiful books, a comfortable armchair for drinking tea, and a Brancusi totem—because it’s good to dream. The Tiptoe coffee table takes center stage there; it becomes the first building block of this model living room.
Can you share a place where you feel good?
At home. It’s an intimate space, filled with objects and lucky charms that nourish me, where every detail tells a story.
I’m often on the move for work, so I savor every moment spent on my sofa all the more. It’s where I can truly recenter, slow down, and then set off again with renewed energy.
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